The philosophy of creativity: the contours of a special discipline
Abstract
The article outlines the contours of the main sections of the special philosophical discipline – the philosophy of creativity. The identification and systematization of the key sections of this discipline is carried out on the basis of a conceptual system of ontological, epistemological, axiological, culturosophical, anthropological, praxiological, ethical and aesthetic aspects of creativity. The methodological basis of the proposed structure of the philosophy of creativity is both traditional sections of philosophical knowledge and invariant ways of conceptualizing the essence of creativity in historical and philosophical retrospect. The article postulates the topicality of the further development of new ones and the necessity for meaningful filling of the presented sections of the philosophy of creativity as a general theory of creation, considering the phenomenon under research in a multidimensional form. In this regard, the philosophy of creativity emphasizes and synthesizes its own creative (innovative), cognitive, value (meaningful), social (communicative), cultural (traditionalist), personal (existential), activity (procedural), moral (spiritual) and artistic (aesthetic) aspects of creativity.
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References
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